Art at Tillie's: Reflections

January's Artwork at Tillie's: January 4 – February 6, 2010 Reception Friday 1/8/10, 7 – 9 p.m.

Brooklyn-based artist David Macaluso achieved international recognition last year with his portraits of Barack Obama painted with used motor oil, a medium he’s been using since 2005. He regards this technique, one of many at his disposal, as a means of recycling while also serving as a metaphorical undercurrent in his work. The portraits prompted ExxonMobil to become a client. In October 2009 the "Barack Obama: Made in Motor Oil" portraits were published in a hardcover edition called Hope: A Collection of Obama Posters and Prints.

The artist states: “I regard my work as part of a vast and enigmatic evolutionary continuum, a verse in a powerful play.  Each work I create, and the body of my work as a whole, seems guided by some overarching vision which is hard for me to define and is often fragmentary.  My work rarely seems to fit neatly into any distinct category, but is more like an urge, one that is simultaneously constructive and deconstructive, pushing toward a deeper awareness.”

David Macaluso has studied at Hunter College, the New School, and Parsons School of Design. He has shown his work at the Athens Institute of Contemporary Art in Athens, Georgia; at the Deborah Martin Gallery in Los Angeles; and at Artists Space, the Paula Barr Gallery, and Art Gotham in Manhattan. He was featured in the Saatchi Gallery online and is a member of the Brooklyn Arts Council.

Brooklyn Totes, Made in Clinton Hill

It's getting a little late for Xmas shopping, but I know some of you out there need to wrap things up (so to speak). Here's another suggestion- this adorable tote, made here in Clinton Hill by two local residents: artist Caroline Hwang and designer Bryn Smith.

spoonme_tote

$15, http://www.spoonmeloveme.bigcartel.com/

Maybe we can convince them to make a"Spoon Me Clinton Hill" tote.

First Friday at RePop: 12/4

This just in from RePop: repopxmas

We can't believe it, but the holidays are already here again.  Why break tradition?  Put your merriest foot forward this Friday and take a look at some real buried treasures!

The New Jewels of Miss Ellie will be on view from Dec 3 - 7, for a special trunk show event.

This season, you will find the best impulse gifts to delight your mom, your girlfriends, your babysitter or yourself: the Curious Cocktail Ring: Rare Birds, hands-holding-bouquets, angels and insects: one-size-fits every finger, $29-40 each. Old World Lockets are also the perfect personalized gift.

John Mathias will be showing  "Crushing Silence" a collection of photographs and paintings that evoke a quiet and mysterious beauty in landscape and still-life. Images of a post-human world in reverent abstraction from the beaches to the concrete canyons of the city.

This limited collection is vibrant and haunting, offering an ideal gift or decorative option for any interior in need of a conversational splash.

Meet the artists at our First Friday Christmas Party, Dec 4, from 5pm - 9pm.  Join us for some good wine, scrumptious appetizers and delightful conversation in one of the most eclectic and festive atmospheres in town!

RePop 68 Washington Ave.

A Few Upcoming Events

Several people have emailed me about upcoming events in the neighborhood.  Here's a selection of the best: "Open House" at the Irondale Center, 85 S. Oxford. The piece involves making an entire house with people's bodies as the walls, windows, chairs and tables.  The audience is invited to experience the structure both from outside as well as from within the living space.  The event is entirely FREE and open to the public. www.thelivingroomproject.info Thursday, 12/10/09 , 8pm

Le Salon des Artistes, from Janna Hyten (The "Halloween Lady" of 313 Clinton Ave.) A holiday art salon, perfect for gift shopping. A variety of artists' work will be on display.

Dec 5th-6th Dec 12-13th Dec 19-20

Sale times are 10am-3pm 313  Clinton Avenue between DeKalb and Lafayette

Tuesdays on Myrtle:  Free Live Music after Your Holiday Shopping Consecutive Tuesdays this holiday season, starting at 7:30 pm December 1st @ La Stalla 499 Myrtle  (Hall/Ryerson) Latin Jazz

December 8th @ Anima 458 Myrtle (Waverly/Washington) Global Soul and R&B

December 15th @ Sans Souci 330 Myrtle  (Washington Park/Carlton) Funky Percussion

White Wash at Corridor Gallery, 334 Grand Ave. Work by artist Navin June Norling, up through January 7th.  The exhibit merges painting, sculpture and performance art to create an unconventional billboard.

Myrtle Windows Being Painted for the Holidays!

Artists are beginning to paint their windows on Myrtle Ave storefronts.  Local artist and friend of CHB Ellie Balk will be painting on Sunday and invited readers to stop by: "HOME FOR THE HOLIDAYS"

Please join me at Karen's Body Beautiful (MYRTLE-BTWN WAVERLY/CLINTON) this SATURDAY/SUNDAY as I create a "Stained Glass" Map on the front window for the MARP Myrtle Ave. Windows Project.

• Holiday windows will be on display through the end of December and all visitors and shoppers will be able to vote via text message for their favorite storefront design from Monday, November 23rd until Sunday, December 13th (winners will be announced shortly afterward).

The Project from Myrtle Avenue Revitalization Project (MARP):  "We hope that this unique program will help to drive visitors to the avenue to view your works, and to support our merchants (the majority of whom are local, independent, small business owners) during this holiday season by shopping locally."

Ellie painted the beautiful mural on the side of Tillie's!

Erica Allen Photo at Melanie Flood Projects

Last month, we interviewed local curator Melanie Flood.  Here's info on the latest photography show in her home: Exhibition Dates: November 8 -- December 2, 2009 Reception: Wednesday, November 11, 2009, 6-9pm

Melanie Flood Projects is pleased to present "Untitled Gentlemen", a solo exhibit of photographs by Erica Allen. splash

A series of fictional photographic portraits exploring representations and constructions of identity. Created with faces from contemporary barbershop hairstyle posters and figures from found studio photographs, this work gives new value and meaning to otherwise discarded and primarily functional photographs.

ABOUT THE ARTIST

Erica Allen is a Brooklyn based artist originally from Oakland, California. She received her MFA in Photography from the School of Visual Arts in 2008. Recent awards included the Women in Photography (WIP-Lightside Individual Project) runner-up grant. She has previously exhibited at the Camera Club of New York, the Broadway Gallery and Visual Arts Gallery in New York City. www.ericaallenphoto.com

ABOUT THE GALLERY

Melanie Flood Projects is a contemporary salon-style gallery operating from the home of Melanie Flood, aimed toward creating a comfortable environment for the enjoyment and dialogue of the arts. Artists & art lovers are offered a meeting place to come together in a personal, domestic setting.

For more information about the exhibit, the gallery, or to RSVP please contact:

Melanie Flood Projects 186 Washington Avenue Brooklyn, NY 11205 mfloodprojects@gmail.com

CHB Interviews: Jeff Arancherry

BellaWatt1_NYC0035 Jeff Arancherry grew up in Westchester county. He started playing bass at 15 and slowly starting picking up percussion instruments as his interest in music grew. After college, he was able to purchase enough equipment to create quality demos, but found that he lacked the time to learn how to use any of it due to his new career. After switching careers and moving to Brooklyn, he joined Bella Watt, to which he contributed songwriting and arranging. He currently teaches high school math in Brooklyn and uses his free time working on various projects, including transcontinental collaboration the Death Valley Girls.

Do you live in Fort Greene or Clinton Hill and how long have you lived here? I live in Fort Greene and I've been here for about 5 years.

Where did you move here from? I moved here from Stamford, CT, where 16 year-olds drive cars that my parents can't afford.

As a musician who's played in a few different projects, how do you feel about playing music in NYC? Is it harder or easier than other places? NY pretty much has a scene for everyone. The opportunities for collaboration with musicians who have a diverse musical background are much more plentiful than, say, Stamford.  However, there is such a large quantity of music being produced here that the chances of getting decent exposure are minimal. From the perspective of one who wishes to play in front a packed room of strangers, doing music here is harder than other places because there's always some other band playing somewhere else. In the end though, the optimist in me believes that this causes the driven musician to refine and develop her or his sound to increase the chances of reaching a larger audience. The cynic in me recognizes that this also causes struggling bands to disproportionally focus on image and promotion rather than the music itself.

What are your favorite places to see live music in the city? In the neighborhood? How about your favorite places to play? For venues in the city, I really love the sound at Webster Hall Studio. I've never heard live guitars sound so full before. I try to avoid going to shows at larger venues simply because I enjoy being able to tune in to individual instruments to understand how each one contributes to the overall sound. In our hood, I've seen Mum at the Brooklyn Masonic Temple. It was pretty nice to be able to walk 3 minutes to get to a show.  It's really a beautiful place, and the sound was great, especially considering how many musicians were on stage. I also like seeing music at the Paul Robeson Theatre, another gorgeous spot. As for places to places to play, Mercury Lounge, Pianos, and Ace of Clubs (formerly Acme Underground) have amazing people working the sound. Monkey Town is also a pretty unique place to play.

What are you listening to right now? I'm really into Cornelius' Sensuous right now. I feel as if every few years I come across an album that completely changes the way I think about music. Sensuous is definitely one of those, as was Miles Davis's Bitches Brew and Live/Evil, Prefuse 73's Vocal Studies, pretty much every Meshuggah album, Herbie Hancock's Headhunters, and Squarepusher's Music is Rotted. Other bands I'm currently into are Irepress (Boston), 375000 Yen (Paris), Hailu Mergia and the Walias (Ethiopia), and 1980 (Paris). I spent a month in Peru this summer and came back with a bunch of Cumbia from the 60's that I've been jamming out to. I've also been revisiting Sunny Real Estate after seeing them at Terminal 5 a couple of weeks ago. I'm keeping my fingers crossed for a new album from those guys.

Do you have any shows coming up? I don't have any shows schedule right now. I just started a new instrumental band with a couple of new dudes I met recently as well as a drummer I played with in an older band. We don't have a name or demos yet, but we should be playing shows by January.

Listen to Jeff's solo project here.

Myrtle Holiday Windows Returns!

Holiday Windows_ JOSEPH TYLER SALON  (5) It's hard to believe that the holiday season is almost here once again.  That said, Saturday is November 1!

Myrtle Ave Partnership will once again be coordinating a holiday window painting contest for storefronts on Myrtle Ave.  If you're artistically inclined, please consider submitting an idea.  last year's entries were awesome.

The Myrtle Avenue Brooklyn Partnership is excited to announce the second annual Myrtle Holiday Windows Contest!

To usher in this holiday season we’re inviting local artists to use storefront windows along Myrtle Avenue as a canvas for festive holiday art, and to compete for some great prizes at the same time! The goal of the project is to bring contemporary art and holiday cheer to the Myrtle Avenue streetscape while helping to promote both local businesses and artists. Artists or small teams of artists will be paired with local merchants to create a festive holiday window design in a portion of the storefront window.

The window ‘decorating’ must occur Thursday, November 12th through Sunday November 15th, bringing creative holiday spirit – and hopefully shoppers – to Myrtle Avenue throughout the weekend. The holiday windows will be on display through the end of December and all visitors and shoppers will be able to vote via text message for their favorite storefront design until Sunday, December 13th (winners will be announced shortly afterward).  The top three designs will be awarded Myrtle Avenue gift certificates valued at $250 (first place), $100 (second place) and $50 (third place).

Visit our blog from last year to view the winning windows: http://www.myrtleavenue.org/blog/index.cfm/2008/12/29/And-the-Winners-Are

Visit our Flickr site for photos of all the 2008 holiday windows:

http://www.flickr.com/photos/myrtleavenue/sets/72157611024719538/

Guidelines:

  • The materials used to create the holiday window scene may include paint, lights, paper, or any other material agreed upon between the artist and the merchant.  Be creative!
  • If paint is used, it must be temporary and easily removable (all products applied to the windows must be removable and must not damage the glass in any way). Painting will take place on the INSIDE surface of the storefront window.
  • The Partnership will supply a $50 stipend per storefront window to cover supplies and services.
  • If selected, artists must commit to painting their assigned window between Thursday November 12th and Monday November 16th. This time can be determined during discussions with the merchant partner.
  • Artists must include the Myrtle merchant in the design process to ensure that the concept is appropriate for their business.   At least one, in-person meeting to discuss preliminary ideas is required.  The merchants are very excited about this project, and looking forward to working with a local artist. Some of the most popular designs in 2008 creatively incorporated the business theme somehow. This is not required, just an idea to provide some inspiration!

How to apply to become a Myrtle Holiday Windows ARTIST:

Please send the following VIA EMAIL to Meredith@myrtleavenue.org by Wednesday, November 4th:

  • Name, address, telephone and email contact information
  • Select up to three Myrtle Avenue businesses that you would like to work with from the list below(or you can let us pair you with a Myrtle merchant if you don’t have a preference).
  • Very briefly, tell us about your proposed design ideas for the storefront window.
  • A simple sketch, photo or other imagery that represents your idea would be very helpful
  • Photos or links to examples of your past work.

CHB Interviews: Melanie Flood

Clinton Hill resident and photographer Melanie Flood (of Melanie Flood Projects) curates art shows out of her Washington Avenue home.  We ask her more. Photo Credit Carolyn Louth

1. How long have you lived in Clinton Hill?  What brought you here? I moved to Clinton Hill from the East Village in 2004 to move in with my then boyfriend, now husband, Matt. I'm from Queens, so moving to Brooklyn was a big deal to me. (Sad to admit, Brooklyn is better!) 2. What's your professional background?  How did you begin curating art shows in your home? I’ve been taking photographs since 1989, when I received a camera as a Christmas gift.  It’s the only thing I’ve really ever been interested in.  I studied at the School of Visual Arts and received my BFA in Photography. Once I graduated I worked at Zingmagazine, a quarterly art magazine, I became Managing Editor and began curating projects of artists I admired- like Jenny Holzer and Todd Hido. After I left Zing, I worked as the Photo Editor of the New York Observer.  After a three years at the Observer, I decided it was time to focus on my own creative endeavors. While trying to get my photographs shown, I realized how the entire emerging photography community had at some point become an online only situation. It is very difficult to get a gallery show as an emerging artist, unless you want to show in a crowded group show, which requires a participation fee! I felt that it was time to shake things up a bit, and that’s when I decided to open up my home as an alternative venue to show emerging artists. I love the intimate setting of being in a home; people are more relaxed, it's more of a dinner party atmosphere.

3. What makes the Clinton Hill art scene unique? What makes it unique is that there isn’t a ‘scene’. You don’t think of Clinton Hill like you would Williamsburg.  What I love about this, is what I love about living in Brooklyn- you have space to think, to work, and to exist, without being in the midst of a hipster-influenced neighborhood. You can create without all these outside influences bombarding you. There are so many wonderfully creative people living right next to each other that I didn’t even know about until I started Melanie Flood Projects- Photographers Christian Patterson, Carey Kirkella, Peter Riesett, artists Sari Carel, Adam Stennett.

4. What's your favorite thing about the neighborhood? First and foremost, the diversity. I love that there are people of all ages, races, and religions living on top of one another. I guess New York is like that in general, but our neighborhood really still reminds me of the New York I grew up in. We’re not really labeled as one particular type of place. We’re not Greenpoint, we’re not Park Slope, we’re not the East Village. We do our own thing.

5.  Favorite restaurant: The General Greene

6. What do you think the neighborhood is lacking? I used to think stinky cheeses & baguettes. But, now with Fresh Fanatic open, I don't think it lacks anything. Had you asked me four years ago, I would've had a list!

7. Do you have a favorite neighborhood story or experience? Election night! Myrtle Avenue turned into a late night block party. It was great to see so many smiling, excited faces, organized chaos, passengers hanging out of their car windows, high five-ing police officers, banging on pans, drinking champagne on my corner. I will never forget it.

8. What's one change you'd like to see in the neighborhood? I would love if police enforced no commercial traffic on Washington Avenue. It’s a real loud, smelly drag!

9. Subway lines: G or C? Neither; I walk to Dekalb and Flatbush and take the B/Q. 10. If you were a flavor of ice cream, what would you be and why? Cardamon Rose. Sassy & Sweet. Just like me.

Read more about Ms. Flood's gallery on The Local.

The Faces of Tillie's 2009

Tillie's has an awesome photo show lined up for October! The Face of Tillie’s 2009 Portrait of a Brooklyn Café Photographs by Bill Kontzias October 12th – November 14th 2009 A Clinton Hill resident for over thirty years, Bill Kontzias has photographed  princesses and presidents as well as celebrities ranging from Truman Capote to Rita Hayworth. Last fall he turned his camera to the denizens of Tillie’s in a delightful group portrait that was acclaimed all over the area, promoted on the Brooklyn Academy of Music site, and lauded at a meeting of the Society for Clinton Hill. Now he continues and enhances his project with a new series of portraits, shot not just in and around Tillie’s but also in other locations where the “regulars” work, live and play, including nearby Fort Greeene Park as well as Greenpoint and Coney Island. He states: “All of my subjects are special to me. As the project has gathered momentum, people have been so generous in sharing themselves: They meet me more than halfway. It’s my goal to capture the inner light of these ‘uncommon people,’ to frame that Tillie’s café spirit with my camera. To me the portraits, in sum, become a wonderful non-linear narrative about this time and place.” The full series can be seen online at www.billkphotography.com under the “Tillie’s Project” heading. Bill Kontzias is Adjunct Associate Professor in the Communications Design Department at Pratt Institute. Reception: Wednesday October 14th, 7 – 9 p.m. For more information on any of the above contact Patricia Mulcahy at 718 783-6140 or mail@tilliesofbrooklyn.com. For directions, see “Getting Here” on the site.

Tillie’s of Brooklyn 248 Dekalb Avenue Brooklyn, NY 11205 718 783-6140 www.tilliesofbrooklyn.com

aa12....elka&leon

ab13

CHB Reviews: Macbeth at the Irondale Center

Tonight, Mr. Lesterhead and I (I am using his laptop) checked out Macbeth at Fort Greene's Irondale Center.  An interesting interpretation, and I loved the choreography and sound (they use a technique called "Soundpainting").  But since Mr. LH is a renaissance lit PhD, I thought I'd let him do the formal review: October 1st, 2009

Macbeth is appropriate to autumn and October. Macbeth's colors are red and black; the poetry evokes the lengthening of nights and shortening days; and it's full of witches and ghosts. Perfect for the month of Halloween! I went with Lesterhead to see Strike Anywhere and ANITYA's joint production of "Macbeth Variations II" at the Irondale Center in the Lafayette Avenue Presbyterian Church on Lafayette and South Oxford St. in Fort Greene tonight. The production definitely set the mood for a spooky October.

There are a few things you might want to know before you go see the play. First, Strike Anywhere and ANITYA are based in New York and Paris respectively. Second, this is an interpretation of Macbeth, not a staging of Shakespeare's play. It is performed in both English and French. Unfortunately the Irondale Center, unlike the Met, doesn't provide subtitles in glowing green LED in the banquette in front of you. For those who either know French or know the text of Macbeth or both, this isn't an issue. If you speak English but not French and don't know the play well, it can be confusing. Third, the philosophy of the joint company prioritizes improvisation. As they say on their website, it's never the same play two nights in a row. So if you think "classic" when you think Shakespeare, this may not be for you. On the other hand, if the classics bore you but you feel compelled to get cultured anyway, this production is both edgy and old skool.

I would give you my take with no chaser, but I happened to overhear a conversation as I was walking out of the theater that I think says it all about what this show accomplishes. Three men, all in their mid-20s, were walking ahead of me on the sidewalk as we left the theater, and this is what I heard. (I've given them names. If this is you, and I gave you the wrong name, email the blog's adiministrator.)

Theophrastus: Cool. Way cool. Did you love how three actors took turns as Macbeth and Lady Macbeth? It was like they were three facets of the same personality.

Diogenes: No way man. That was pretentious, French [explitive deleted]. It's like "The Three" or something. Freud on stage. Yeah, I get it. Three actors per character: the Id the Ego and the Super Ego. Really?  You can't get more original than some pseudo-phrenology of the early 20th century?

Socrates:  Whatever. It was the best staging of the play I've seen in a while. Definitely better than the one the Public did with Liev Schreiber a couple of years ago. That was [explitive deleted] awful. I think Mayor Mike should pass a city ordinance that says it is illegal in the city of New York to put on a production of Shakespeare in 19th century European military dress. And right after than he should ban productions set in 1930s gangsterland New York.

Theophrastus: You have to admit, it was mercifully short for Shakespeare. The whole thing was, like, an hour and a half. And they only gave you the highlights -- the best speeches. It was way cool to end with the "tomorrow, and tomorrow, and tomorrow" speech.

Diogenes: Oh. My. God! That was the worst! If it isn't already the cheesiest 75 words in all the world, they made it the end of the play! Aaaaand end scene!

Socrates: Why are you such a cynic? It was an interpretation douchebag! It was a [explitive deleted] tone poem, and I thought they did an awesome job setting the tone. The witches were totally creepy with the red boxes in place of their heads, and that bit at the end where Lady Macbeth loses it, but she's behind the white scrim, pressing her screaming face through the fabric like a nightmare! The whole play was like that. The improv jazz, the garbled French and English, the three actors playing both Macbeth and Lady Macbeth were meant to invoke a nightmare, where you can't tell which voice in your head is the one who can see what's really going on, and which voice is actually the devil in disguise! The theme of the [explitive deleted] play is confusion!

Theophrastus: Yeah! That's why the witches say "Fair is foul, and foul is fair: hover through the fog and filthy air." And then in the very next scene Macbeth says to Banquo "So foul and fair a day I have not seen." It's like no one can tell what's good or bad.

Socrates: Exactly. I thought the three actors who played Macbeth and the three who played Lady Macbeth were less like three Feudian puppets and more like three echoes of a paranoid mind, three voices in your head, second guessing and mutually accusing each other.

Diogenes: Come on! You have to admit, for someone who doesn't love this play as much as you [Socrates], this production looks like some serious self-indulgent navel gazing. They should pass out black berets at the door.

Socrates: OK, dude. Not all of us are as sensitive to [explitive deleted] as you. For my money it was a work of art. If you want to do better, put it on yourself.

That was as far as I got before my lady and I turned down a side street and left these philosophers to themselves. I say, check it out. It's only playing two more days. You might agree with Socrates; you might agree with Diogenes. But you won't know until you've tasted it for yourself.

Innovate Shakespeare Performance at Irondale

CHB is going to check this performance out tonight and will report back tomorrow- sounds pretty cool!

The Irondale Center presents

The Strike Anywhere Performance Ensemble & Anitya

in the world premiere of

MACBETH VARIATIONS II

@ Irondale

October 1 – 3, 2009

An event that brings together musicians, puppeteers, dancers, and actors in an audacious version of Shakespeare's Macbeth. Shakespeare would have been proud of this modern take of his classic”

-Daniel Brown, Radio France

What: Macbeth Variations II: a Shakespeare Soundpainting (Performed in French & English)

Who: Strike Anywhere Performance Ensemble (NYC) & Anitya (Paris, France)

When: October 1, 2, 3 at 8pm

Where: Irondale Center, 85 South Oxford Street, Brooklyn, NYC. Directions: www.irondale.org

Cost: $20-$40 (Sliding Scale) Tickets can be purchased online: www.strikeanywhere.info

BROOKLYN, NEW YORK, OCTOBER 1-3, 2009 - The Irondale Center, who are establishing themselves as one of Brooklyn’s leading performing arts laboratory and performance spaces, opens their 09/10 season with the critically acclaimed Strike Anywhere Performance Ensemble and their international collaborators Anitya in the world premiere of Macbeth Variations II, a dynamic performance event combining physical theater, improvised music, dance and a live-composing sign language called Soundpainting..

Macbeth Variations II is a set of improvised inter-disciplinary compositions exploring Shakespeare's play Macbeth. Just as jazz musicians improvise on jazz standards finding infinite variety within classic tunes, improvisers use Shakespeare's text as the melody from which they depart. The result is a highly-charged interdisciplinary performance event that is different every night. The piece is the perfect compliment to the mission of Irondale who strive to provide an enviroment where performance boundaries can be pushed and work with a social conciousness can be produced. This is the Irondale Center’s second season in their new space, and they are thrilled to host companies such as Strike Anywhere & Anitya who represent a new wave of experimental work today.

“Strike Anywhere Performance Ensemble merges music, theater, improvisation, and structured composition into a total multi-media experience – a ‘happening’ in which art leaps off the wall and into the seat next to us.” - Asbury Park Press

About Macbeth Variations II

Macbeth Variations II is the second stage of an international collaboration between NYC-based Strike Anywhere and Paris-based ANITYA. The performance features on-stage conductors who sculpt the improvisation through the complex language of Soundpainting. Soundpainting is the live composing sign language created by New York composer Walter Thompson for musicians, dancers, and actors. In May 2009, the Irondale Center hosted the pioneer of Soundpainting, Walter Thompson, in an incredible world premiere composition featuring acclaimed musician Anthony Braxton. Irondale is fast becoming the leading presenter of this type of performance work and both Strike Anywhere Performance Ensemble and ANITYA are the foremost practitioners of Soundpainting in their respective countries.

About Irondale

The Irondale Center is the permanent home of the Irondale Ensemble, a 26 year old Theater Company comprised of professional theater artists who have a commitment to creating theater and education programs that explore emerging themes in our society.  The Center is also a multi-discipline laboratory for the work of other artists and companies.  Ensemble members manage, and curate the Center, nurturing and presenting work that contributes to the cultural, social and educational life of the community. For more information please visit: www.irondale.org

About Strike Anywhere Performance Ensemble and ANITYA

STRIKE ANYWHERE was established in 1997 by founder and Artistic Director, Leese Walker. Strike Anywhere is a permanent ensemble of world class jazz musicians, modern dancers, and actors. Its work is guided by the words of Bertolt Brecht, “Art is not a mirror held up to reality, but a hammer with which to shape it.” Performers collaborate through an improvisational process to create politically-charged, original works that address socially-relevant issues. Strike Anywhere has toured extensively. Its critically acclaimed show, 10 BRECHT POEMS, toured nationally to over 40 venues and aired in full on local NYC television. Strike Anywhere has been featured on Radio France, NPR, WBAI and German Public Radio. The company has appeared at: B.A..M., American Airlines Theater, The Zipper Factory, P.S. 122, St. Clements, Theatre for the New City, Galapagos, and HERE Arts Center. For more information, please visit: www.strikeanywhere.info

ANITYA was created in January 2006 by French composer Christophe Cagnolari. The group is comprised of 20 artists—classical and jazz instrumentalists, actors, dancers, and lighting designers. The orchestra rehearses weekly to acquire a fluid mastery of Soundpainting. Christophe Cagnolari—soundpainter, composer, saxophone—graduated in musicology at Paris IV Sorbonne and in ethnomusicology at Paris X. He also earned a masters degree in gamelan in Bali and won first prize in harmony/counterpoint, awarded by the city of Paris. In addition to Cagnolari, three artists from the ANITYA company will participate in the Phase II collaboration on Macbeth Variations: Maxime Nourissat (actor/toured internationally with Marcel Marceau working with him until his death), Maud Ivanoff (actor), and Thierry Jozé (actor). For more information, please visit: www..anitya.fr

Myrtle Ave Wants Your Feedback!

The Myrtle Windows Gallery - displays of art in local businesses' windows - celebrates its first anniversary this weekend.  They'd like to hear from local residents about what worked and what didn't, and how to improve the program.  Here's some info from Myrtle Minutes: If you haven't had a chance to check out the fourth exhibition in the Myrtle Windows Gallery, make sure you do so this weekend! We'll be saying goodbye to this show, curated by Kennis Baptiste of The Rising Arts Gallery, next week. Come out to Tamboril (between Steuben and Grand) on Sunday from 4pm-9pm to celebrate this fantastic show that featured the works of ten Brooklyn artists in our MWG storefronts, as well as inside Pillow Cafe and Tamboril.

So, what did you think of MWG's first year? How did art in storefront windows impact your experience walking down Myrtle? We want to hear from you, so please send us your feedback! You can post comments here, or send them to meredith@myrtleavenue.org. Oh, and while you're touring this exhibition, remember to thank your Myrtle merchants who have generously donated their storefronts for the cause of promoting public art! I'm not sure if the holiday window painting was part of this program, but it was one of my favorite Myrtle Ave art projects!

holiday window painting at polish bar

First Friday at RePop: October 2

From RePop, hosting another fabulous First Friday: The seasons seem to have changed at the speed of light and autumn has arrived!  Thus a new First Friday is upon us where RePOP is proud to clear its walls and open its doors for another fantastic show.

This October we feature a viewing not to be missed by Scott Graeber.

120Since the age of eighteen every job that Mr. Graeber has had centered around death and the disassembling of the human body.  Over twenty years of such work has pushed him into a permanent melancholy.  His art, however, has flourished under these circumstances, even as the rest of his life (and body) gradually dissolves.

Several years of figurative study have brought him to a point where he is satisfied these experiences can be translated to clay or canvas.

Why frescos?

"In a world where electronics are replacing our ears, eyes and skin, natural material has becoming critical.  As our souls fade people have started to cling to everything home made.  From farmers markets to hand knit socks we are searching for whatever seems fundamentally real.  The nuclear age has kicked our asses and left us feeling hollow.  Wood, copper, lime, sand and minerals, these things are all sound and real.  They are fresco.  When a fresco is started you only have a few hours to work before it's all over.  When the lime is fixed the mineral pigments are bound for as long as the wall stands.  No time to correct errors, no second thoughts, what's done is done - beautiful.  This is why I do fresco." ~ Scott Graeber

This particular collection offers a an entrance into the season with an adornment of renderings and unique musings.

The shop will be open for business on this special evening offering a first hand glimpse at Graeber's collection.

Join us at the shop on October 2nd and enjoy a wonderful evening of art and wine.

RePop
95% Recycled
68 Washington Avenue
Brooklyn, NY 11205

CHB Interviews: Theresa King, Myrtle El Photographer

1. Where in Brooklyn did you grow up? Tell us a little about the Brooklyn childhood experience. Until I was seven years old, we lived in Bedford Stuyvesant as tenants in a brownstone. My father then took a position in Brighton Beach where we lived for many years and where I graduated from Abraham Lincoln High School. I then left Brighton and spent some years on Clinton Avenue, Franklin Avenue and Atlantic Avenue which was my last apartment in Brooklyn.

As a child and young adult, I recall the warmth of the different neighborhoods, the feeling of extended family, the variety of images, street games, schools, - the local candy stores where we were always made to feel welcome, the unique vistas from each neighborhood and most certainly the diversity of the population. Is there a Brooklynite of my generation who can ever forget the delicious smells from the local bakeries? Brooklyn is an awakening of the senses and a unique, diverse and special universe of its own and I am proud to have been raised there.

2. How was the El different from the subway? Did people prefer one or the other?

The elevated trains brought light, air and street life to those riding them. One was no longer on a subway under the ground where dark walls, fellow passengers and Ms. Subways and other ads were your only companions.  Indeed our subways take us quickly from one station to another while we read, doze, study, and often use the time in many productive ways.  We are still underground individuals waiting for our stop so that we can get out, go upstairs and see the light of day.

I found the El a different experience. Much like a painting or a poem simply looking out of the windows at the passing scenery - the small apartment buildings so close that you could see folks eating at the kitchen table, almost touch the oil cloth on the tables and linoleum on the floors and imagine yourself part of this unknown family.  Sometimes the profusion of television antennas on the roofs became a picture in itself. Then there were the distant views - office buildings large and small, and of course the people walking, the young girls and other family members looking out of a window for hours at a time. They always had a small pillow to lean on and I used to wonder, "what are they thinking, what are their dreams, who are they" - these strangers who live among us, but with the constant rumble of a train going past them. Do they even notice us as we notice them? Do they even hear the El anymore?  There are still some elevated portions of subway lines operating and I enjoy riding them. I still think of the people in those buildings and still think and visualize scenes and life around them. As for preference, I can only guess. The dreamers and visualizes among us, I imagine still love the elevated trains that remain. 3. What do you remember about Clinton Hill and Fort Greene during the days of the El? Have you been back to Myrtle Avenue recently? If so, has anything remained the same?

I haven't lived in Brooklyn since the 1970's. I still recall lovely brownstones on Clinton Avenue, businesses on Myrtle Avenue, and the struggles, successes and kindness of the people who lived there. In connection with the photo exhibit at the New York Transit Museum, Sunday, October 18, 2009, I will be leading a tour of my photographs in the exhibit. And on Saturday, November 7, 2009, I will lead another tour group of youngsters and their families down Myrtle Avenue. We will all take photographs and it certainly will be a learning experience for me as well as for the young photographers.

4. People were obviously very fond of the El.  Did anyone lobby to preserve it? My recollection is that a small group did attempt to save it to no avail. I've done a bit of searching recently on the internet, but haven't come up with anything in the archives. It would be wonderful if an interested reader of this article found some information and shared it with us. 5.  How does your Brooklyn background influence your artistic work? Brooklyn is a feast for the eyes, an ever-changing place, a home to a multitude of ethnicities, and a profoundly unique and incredible borough of New York. I've yet to meet someone from Brooklyn without a strong opinion, a willingness to "step up" when asked as well as a sense of belonging to a community. Brooklyn is ENERGY. How could I not be influenced by this place where I was raised and lived in different neighborhoods, met many people of different backgrounds, religions and beliefs? It opened my eyes to settings, people, interactions, styles of architecture, cultural differences and so much more. My photography is a product of these sensory and personal experiences- from riding the El, the subways, the trolleys, to walking to school - from the beach at Brighton to the Botanical Gardens to the cheesecake at Juniors, and the Cyclone at Coney Island - From the music in Prospect Park during the summer to the street corner A cappella groups on so many street corners. I credit my native borough with creating who I am and wherever I am, I always manage to let people know that I AM FROM BROOKLYN.

Last Day of the Myrtle Avenue El

goodbye glance 10.3.69 lr The New York Transit Museum will feature a very cool photography exhibit documenting the last day of the Myrtle Ave El - the elevated train that ran down Myrtle Avenue from 1888 - 1969.  Go far enough down Myrtle, near Bushwick, and you can still see the El's structure, never fully taken down.  It's crazy to imagine so many NYC streets beneath elevated trains!

The press release includes some wonderful historical facts about the line and the exhibit:

Opening in 1888, the Myrtle Avenue el ran from downtown Brooklyn to Queens, passing through Fort Greene, Clinton Hill, Bedford-Stuyvesant, Bushwick, Ridgewood, and Middle Village.  After eighty years, to the dismay of many passengers, the Myrtle Avenue el closed in 1969 and was demolished the following year. Yet, in the mid-20th century, the el’s wooden train cars and antiquated stations still held fond memories for riders who grew up in those neighborhoods.

THE LAST DAY OF THE MYRTLE AVENUE EL: Photographs by Theresa King is a photo essay shot in a single day forty years ago. The photographer recalls, “At midnight on October 3, 1969 over a thousand people eagerly awaited a train – not just any train, but the final train to run on Brooklyn’s Myrtle Avenue elevated line.  These people were taking the last ride on this historic elevated train.  As soon as they crammed on, the train rolled along from Brooklyn’s Jay Street station to the Metropolitan Avenue station in Queens.  At the end of this sad journey, some passengers took artifacts to remember this very special old timer and bid a fond farewell. The pictures were taken during this last day at various stations along the Myrtle Avenue el in Brooklyn.  During my childhood, I rode this train daily and loved the look of the station stops and the train itself.  When I realized the line was due for demolition, I wanted to document a part of Brooklyn’s past that would be no more.”

Myrtle Avenue—named for the myrtle trees that once grew in the area – has been a major roadway since the early 1800’s. In the mid-nineteenth century, the Knickerbocker Stage Coach Line ran omnibus service on the avenue. In April 1888 the Myrtle Avenue elevated train began operation from downtown Brooklyn to Grand Avenue Junction, where Pratt Institute had opened one year earlier. That September, the line was extended west to Sands Street, where passengers could transfer to a cable car to cross the Brooklyn Bridge into Manhattan. In 1889 it was extended east to Wyckoff Avenue in Bushwick, and then to Metropolitan Avenue in Queens in 1906. When it first opened the neighborhoods along the western end of Myrtle Avenue – downtown Brooklyn, Fort Greene, and Clinton Hill, were already densely populated. The Brooklyn Bridge had been completed five years earlier and omnibus lines and railroads served the area. Beyond Grand Avenue Junction, however, the area was still mostly rural, and much of eastern Myrtle Avenue developed along with the el.  Bushwick’s housing and industry boomed in the late 1880’s, as German immigrants opened successful large-scale breweries, and Ridgewood developed just after the line was extended there in the prosperous years before World War I.  But beginning in the 1930s, with the decline of business along Brooklyn’s once vibrant waterfront and the opening of what is today the G subway line, ridership on the Myrtle Avenue el began a decline that would culminate with the closing of the Brooklyn Navy Yard in 1966.

The exhibit features color and black and white photographs by Theresa King, along with historic photographs, archival material, and station signage from the New York Transit Museum collection.

New York Transit Museum Located on the corner of Boerum Place and Schermerhorn Street in Brooklyn Heights Hours: Tuesday - Friday, 10 a.m. to 4 p.m., Saturday and Sunday noon to 5 p.m. Admission: $5 Adults, $3 children (3-17) and Seniors (62+) Seniors admitted free every Wednesday

Call for Local Artists

With the overwhelmingly positive response to the four Tree Hugger Project sculptures that took up residence on the avenue for the past 11 months (and who have now moved on to Pratt’s Sculpture Garden in case you want to pay them a visit), we are anxious to bring more creative energy to the streets of Fort Greene and Clinton Hill. The RFP for Temporary Public Sculpture (PDF document) seeks existing and/or proposed artworks for temporary installation (up to 11 months) at various outdoor locations along Myrtle Avenue. A full list of sites is below, while a map of the avenue and each site’s location is within the RFP document. The submission deadline is October 1, 2009, at 5 PM.

Artists or teams of artists alike are invited to apply to have pieces installed at any or all of the proposed locations. All interested artists are STRONGLY encouraged to visit Myrtle Avenue to view all the sites in person before applying. Each site has its own character and context therefore a visit is important to truly understand and communicate the impact an artwork will have on the space.

The proposed public sculpture sites are located at: 1. Ingersoll Houses: Myrtle near Prince (adjacent to the Community Center) 2. Ingersoll Houses: Myrtle and Navy Street (west side of Navy) 3. Ingersoll Houses: Myrtle and Navy Street (east side of Navy) 4. Ingersoll Houses: Myrtle and St. Edwards 5. Whitman Houses: Myrtle near North Portland 6. Whitman Houses: Myrtle between North Portland and Carlton 7. Whitman Houses: Myrtle near Washington Park (adjacent to commercial building) 8. Northwest corner of Fort Greene Park at the intersection of Myrtle and St. Edwards 9. Northeast corner of Fort Greene Park at the intersection of Myrtle and Washington Park 10. Green Streets Triangle at the intersection of Carlton and Myrtle 11. Wide sidewalks at Clinton and Myrtle 12. Wide sidewalks at Hall and Myrtle

The basic qualities we are looking for in proposed artwork are ARTISTIC MERIT, SITE SUITABILITY, DESIGN AESTHETIC, DURABILITY, and LOCAL. Basically, we’re looking for work showing creative and technical talent that fit the proposed site while maintaining a strong visual impact. The artwork will be installed outside so it must be able to endure any and all weather, whether it be surprise 80 degree weather in April, snow storms in January or thunderstorms in March! And lastly, preference will be given to local Brooklyn-based artists.

For more information contact Meredith Phillips Almeida at (718) 230-2689 or meredith@myrtleavenue.org.

Art at Tillie's: Maya Edelman

Maya Edelman has gained a loyal local following since her first show at Tillie's.  Check out her drawings and paintings on wood this month at the coffee shop.maya_0004 maya_0005

September 8th – October 10th 2009

In her youth Maya Edelman was known to say that when she grew up, she either wanted to be a ballerina, a little boy named Igor, or an artist. She is currently pursuing the latter of these goals.  After emigrating from her native Russian city of Rostov in 1993, she landed in New York, and has been living and drawing in Brooklyn since.

She received her BFA from Pratt Institute in 2008, and has since taught media arts and worked on various projects, most recently an animated “pitch” for a new film by director Michel Gondry. Though she received her formal training in animation, she has never lost her love for traditional media such as painting and drawing.

Her current materials of choice include wood she finds in the dumpster, pieces of furniture, and acrylic paint. Her art is focused on expressing alienation and awkwardness, and the juxtaposition of organic and mechanical objects. Her subjects often include birds, typewriters, and rotary phones. Reception: Wednesday, September 9th, 7 – 9 p.m.

Michael Jackson Window Display

In more local art news... At 583 Myrtle Avenue (near Classon Avenue), Clinton Hill Simply Art & Framing Gallery, est. 1991, has devoted a display window exhibiting Michael Jackson headlines and collectibles. The window exhibit began Saturday to accompany the announcement of the framing gallery's new blog (http://clintonhillframe.blogspot.com/) and to encourage her Fort Greene/Clinton Hill/Bedford-Stuyesant neighbors to discover Myrtle Avenue south.

Gallery owner L.B. Brown has posted an encounter she had with Michael Jackson on the new blog, which also gives details of a limited-time framing service discount offered to Michael Jackson fans.

The window exhibit can be viewed now through Sept. 9, 2009, 24 hours a day.

*Leave a comment on their blog, print it out and bring it in for a $10 discount (through October 31, 2009).

First Friday Art Parties Return to RePop

September is upon us, and RePop's hosting a First Friday art event on Friday, September 4. It's always a good crowd. ffsept09

Event: The 11th Hour "Fine Art & Illustrations by Amy M. Asher & Arian Gimbutas" What: Exhibit Host: RePop NY Start Time: Friday, September 4 at 7:30pm End Time: Friday, September 4 at 11:00pm Where: RePOP 95% Recycled

First Fridays have returned and by popular demand, RePOP is proud to feature once again the work of Amy M. Asher and Arian Gimbutas.

Amy's work derives from nature; she uses what she sees and transforms the obvious. The landscapes she creates are part illusory, what you might see as if you were squinting at a landscape, or driving fast and watching the blurred hills and fields and trees rush past. Some of her work is shaped on what, at first, seems a simple background, but the canvases are really layers upon layers of material put on, scraped off, put on, written on or covered up. These are landscapes, landscape of the mind, memory, and imagery. Growing up in Kansas she creates work that tends to lean toward this feeling of vastness and isolation, the kind of feeling a lone barn sitting in an open field might inspire, for example. These are the kinds of images she sees in her minds-eye, the shapes she draw from and manipulates, playing with the harmony of composition, color and form.

Working in black ink and bleach, Arian allows images work themselves out through a sort of Rorschach test ink blob.  Further refining them by pulling tones out with bleach, he presents them as a sort of icon for both the real and unreal, the natural and the synthetic.

This particular collection, all created within the last two years, offers a beautiful entrance into the fall season with an adornment of abstract landscapes, illustrative renderings and unique musings.

(There's even more reason to head up to Wallabout these days - have a tasty pizza at Il Porto, or try the newly revamped Mojito; buy some groceries at Fresh Fanatic; take a dip in the cold plunge pools at Body by Brooklyn; etc.)